surface and say, 'Yes, I'm part Indian. Those interviewed in the film talk of the "erasing of ancestors" that took place when the government singularly designated grandparents or parents as black, Indian, or white "It's very much a matter of belonging says. I continue to include the spiral motif and other geometric designs and infuse them into the images I create. Apache: The Origin of Fire, what's It About?, tell Me The Story! It is a story which literally begins with the birth of America, in the presence of the mixed-race Boston Massacre martyr Crispus Attucks, and which follows the deadlier aspects of the 19th century through the Seminole War (where runaway slaves joined Seminole warriors in Florida. Army) and the expulsion of the Cherokee nation on the infamous Trail of Tears (where black Indians within the Cherokee orbit faced the no-win choice of either leaving with their brethren into forced exile or staying behind to live in slavery). We were told if you could pass for white, that's who you'd be; if not, it was usually better to be identified as black than Indian recalls Executive Producer Steven Heape. Description, karen offers a 2-hour experience in which she tells traditional stories and interesting facts of the Lumbee people.
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As another citizen of the First Nation said, 'The truth may sleep, but it never dies. Navajo: At The Rainbow's End, what's It About?, tell Me The Story! Narrated by James Earl Jones, Black Indians: An American Story explores what brought the Native and Black Native Americans together, what drove them apart and the challenges they face in the 21st century. Telling people the story of the black Indians was virtually forgotten except as family histories by those who shared the blended racial heritages. Jones did the narration for the film giving the project instant credibility. "It was a blessing to be involved because it helped answer questions I've been wondering about all my life.". It comes as little comfort to learn that racism is not a one-way street originating in white neighborhoods, and it is to director Chip Richie's credit that the film addresses this shameful situation. "If they grow up in a black neighborhood, they likely adapt to a black culture. In addition, she offers a hands on experience of painting on canvas, gourd or wood, drawing with pastels, making Gods Eyes, and Jingle Sticks.
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